Akasegawa discovered the first Thomasson in 1972, in Yotsuya, Tokyo when he noticed a staircase that had no entranceway when one reached the top. The following year, Akasegawa discovered a boarded up ticket window at Ekoda station on the Seibu Ikebukuro Line. William Gibson's 1993 SF novel Virtual Light also makes multiple references to Thomasson. [3]. Akasegawa was the author of Hyperart: Thomasson, which Matt Fargo translated and Kaya Press published in 2010. Akasegawa Genpei, Minami Shinbō, Fujimori Terunobu (Editors). His literary works include Rōjin-ryoku and Hyperart: Thomasson, the latter of which we published in English in 2010. This overlaps with the Useless Doorway and Useless Window categories. A new, internet-era Thomasson movement began. "[3] Hyperart cannot be created by an artist, but only found and recognized as such by an observer. Anticipating post-election day blues? 64, Architectural Association School of Architecture, 2012: 59–68, This page was last edited on 6 July 2020, at 12:01. An uncategorizable object whose use it is impossible to fathom. For example, a blocked up window which sticks out from the wall. The remains of a telephone pole cut down. Historian of modern Japan Jordan Sand's 2013 work, Tokyo Vernacular: Common Spaces, Local Histories, Found Objects, also discusses the Thomasson phenomenon in its third chapter, entitled "Deviant Properties: Street Observation Studies." For example, the Pure Shutters, which open to reveal a blank wall, and the Pure Tunnel that exists without a surrounding hill. Commiserate with Ed Lin on Instagram Live with, Anyone else wake up earlier then they meant to today? Although Street Observation did appear to be something of a boom, it was not the same type of movement that had surrounded the activities of Akasegawa, his students, and their magazine articles. In this case these could not be called Useless Bridges, as they only appear useless. [2] Akasegawa viewed Thomasson's useless position on the team as a fitting analogy for "an object, part of a building, that was maintained in good condition, but with no purpose, to the point of becoming a work of art." A patch of ground that is different in height from that around it, usually where multiple construction works have taken place. In English, the term is sometimes spelled Tomason, or Thomason. Thomasson or Hyperart Thomasson (Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s. Cases often appear due to the long-lasting material of the object. [6] Alongside this, a Street Observation Society event was held to promote their work, along with a press conference.[7]. In recent years there has been a resurgence of interest in Thomasson, especially since the publication of Akasegawa's work on the subject in English in 2010. This can be seen when a section of a tightly packed row of buildings is torn down. An object sticking out at the side of the road, with no clear purpose, possibly used to stop cars parking. The opposite of this, a sunken blocked up section, is known as a Reverse Castella. The concept of Thomasson was introduced to the general public in 1982, via a series of articles in the magazine Shashin Jidai (Photo Times), published by Byakuya-Shobō.
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