She was also founding member of 13P (Thirteen Playwrights), a now-defunct group of (mostly female) mid-career playwrights who took matters into their own hands by producing, over a period of ten years, one play by each member playwright. In her Ann-Taylor-style ensemble, she’s sensible, grounded, and knows what she wants in her garden – namely a wrought-iron bench (Diane doesn’t “do” benches). Its explorations of gender and sexuality aside, it is very entertaining and satirizes everything from HGTV and its suburban aspirations to “real housewives” as well as tropes of Sapphic seduction. In addition to Thomas, "at least three" uncredited script doctors revised the screenplay.After Romancing the Stone, Thomas wrote another screenplay titled either Blonde Hurricane or Blond Hurricane.Diane Thomas died in a car accident in October 1985, only six weeks before the sequel to Romancing the Stone, The Jewel of the Nile, was released. While the wind howls, she seduces them one by one, and the play accelerates into a bacchanalian frenzy, directed with verve by Leigh Silverman. The eye of Hurricane Gloria in September 1985 passed 45 miles east of Cape Henry. “For me, it’s a lifelong project to ask big questions in relation to female and nonbinary environments. Everybody had an uproariously good time. (Family) When I was in my ... At Larsen Jewellery, we specialise in custom ma... About us: We are an Australian-based media development and events company, with offices in Sydney and New York City. Challenging, brutal and hilarious, four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. The point of a collaboration is to create a mind meld. Order Now. At Aphrodite’s Pleasure we aim to demystify the... Director, Acc. Madeleine George joins the ranks of other playwrights who are trying to warn us – like Caryl Churchill, whose play Escaped Alone (2016) also features four oblivious women in a garden drinking tea (in Hurricane Diane they drink zinfandel), determined not to face the dark implications of the future. And that possible partly because we’re standing on the same side of this [lesbian] identity.”. Required fields are marked *, Thank you for visiting this website. Posted on Mar 4, 2019 in Theater Reviews, Michelle Beck, Danielle Skraastad, Mia Barron and Kate Wetherhead. And there’s Beth (Kate Wetherhead), whose husband has left her and who recently hurt herself while meditating. Diane, as it happens, is a transgender landscaper – outlandishly dressed (by costumer Kaye Voyce) in a kind of Greek toga combined with heavy gardening boots. It’s exciting to see Becca Blackwell, who is so defiant about blurring the boundaries of gender, step into the role of a butch woman with such panache and verve.”. She had been working with the queer writer-performer Becca Blackwell for several years and liked the idea of a play featuring “a butch lesbian hiding in plain sight” in a mainstream suburban environment. There is no one way to be this god. She is confident that theatre people these days are “conversant with a spectrum of identity” and will embrace Hurricane Diane (they have; the play’s run has been extended). There’s Renee (Michelle Beck), the first woman of color to hold the position of editor in a shelter magazine. The Most Massive Woman Wins Script This is optional. Michelle Beck, Kate Wetherhead, and Danielle Skraastad, On Rachel Hauck’s wonderful set – designed to represent the housewives’s identical kitchens – we meet Diane’s targets, each a satirical portrait of a contemporary type. That makes Madeleine George’s new play all the more impressive an achievement. Challenging, brutal and hilarious, four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. And if you’re an LGBT playwright struggling to be heard and seen, consider finding others like yourself and making your own opportunities. It’s a tonic for our culture to see that the larger human questions can be asked and played out in that environment. interview with hurricane, diane & the deductibles and ex-queensrŸche guitarist robert sarzo date: august 1, 2019 interviewer: tyson briden as i have stated previously in possibly a past interview, on the day when i am interviewing an artist that i respect and admire, my anxiety is usually at an all time high. The Bacchae serves as the inspiration for Madeleine George’s Hurricane Diane. She was a category 3 hurricane with wind gusts to 104 mph. Women are capable of everything.”, And George has been influenced by do-everything women in her own career and acknowledges those who have “broken such bold ground in terms of theater,” including the WOW Cafe, Split Britches, and the Five Lesbian Brothers. Lisa Peterson Talks About What the Hell is a Republic Anyway, Leiter Looks Back: Five Revues of 1923-1924. “People crave encounter now more than ever,” she says. And it does, in the form of a monster storm such a la Hurricane Sandy. It never goes under. Hurricane Diane turns out to be a serious satire on the intransigent contemporary mindset of individualism and consumerism – one that resists the “green way” and refuses to see the planet in peril.
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